Media

3D model of the Arringatore

The 3D model of the Arringatore (Museo Archeologico Nazionale, Firenze, Italy) has been produced with active 3D scanning (laser-based system) in the framework of a restoration project (2008-2009). It is a Romano-Etruscan masterpiece from the late second century or early first century BCE in the Roman style and depicts an Etruscan man, Aule Metele, wearing a short Roman toga and footwear. His right arm is raised to indicate that he is an orator addressing the public.

http://en.wikipedia.org/wiki/Aule_Metele

NAM and CNR-ISTI, National Archaeological Museum (NAM), Florence, Italy

AAP-AM-0097 Limestone Wreathed Head

Limestone Wreathed Head

Athienou Archaeological Project

AAP-AM-0254 Limestone Hand with Sword

Limestone Hand with Sword

Athienou Archaeological Project

AAP-AM-0329 Archaic Face

Archaic Face

Athienou Archaeological Project

AAP-AM-0714 Zeus Ammon Thymiaterion

Zeus Ammon Thymiaterion

Athienou Archaeological Project

AAP-AM-1108 Limestone Diadem

Limestone Diadem

Athienou Archaeological Project

AAP-AM-1172 Beardless Male Votary

Beardless Male Votary

Athienou Archaeological Project

AAP-AM-1218+1459+2007 Chariot Group

Chariot Group

Athienou Archaeological Project

AAP-AM-1366+1595 Terracotta "Astarte"

Terracotta "Astarte"

Athienou Archaeological Project

AAP-AM-4360 Limestone Chariot Group

Limestone Chariot Group

Athienou Archaeological Project

AAP-AM-5115 Terracotta Female Mask/Protome

Terracotta Female Mask/Protome

Athienou Archaeological Project

AAP_AM_5160

Athienou Archaeological Project

A Bronze Age Sussex Loop Bracelet by The British Museum is licensed under CC Attribution

un bacelet

https://skfb.ly/EuCT

A demon

alignment_subset

Alignment with six wall beads removed

Amarna Figurine

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated, ADS Collection: 1077/Collection doi:10.5284/1011330

ambiente alpha

ambiente alpha

ancient coin

ancient Italian coin

http://chsopensource.org/2016/03/16/photography-of-ancient-coins-rti/

Antonino Cosentino

An upload test

Apollo - Luni Temple.

Fronton A of Luni Temple.

Apoteosi di Sant Orsola

IsCR

Apoteosi di Sant'Orsola

IsCR

Askos

A small container used for storing and pouring liquids with a ram head decoration on the top

VAST-LAB, Musei di Maremma

Askos

A small container used for storing and pouring liquids with a ram head decoration on the top

VAST-LAB, Musei di Maremma

A small 3d test

A small bronze horse

This is a reproduction of an Etruscan piece

Avar belt decoration

This Avar (7-8th c.) belt decoration was found in a cemetery at Dunaszentgyörgy-Tengelic, Hungary. Avars decorated their strap belts elaborately, belts and the number and type of decoration on them represeneted social status. This object decorated the end of such strap belt (that part which is pulled through the buckle). Raw material: bronze

Hungarian National Museum

Avar belt ornament

This Avar (7-8th c.) belt ornament was found in a cemetery at Dunaszentgyörgy-Tengelic, Hungary. Avars decorated their strap belts elaborately, belts and the number and type of decoration on them represeneted social status. This object decorated such a strap belt. Raw material: bronze coated with tin

Hungarian National Museum

Avar earring

This Avar (7-8 c.) earring was found in a cemetery at Dunaszentgyörgy-Tengelic, Hungary. Avars used belts which had small belts hanging from the main belt. One these hanging belts was decorated with this boar head. Raw material: bronze, glass bead.

Hungarian National Museum

Avar hanging belt ornament

This hanging belt ornament was found at Dunaszentgyörgy-Tengelic, Hungary. Avars (7-8th c.) decorated their bells with smaller strips of leather which hang from the main belt. The end of these hanging belts were often decorated with boar head ornaments. Raw material: bonze with golden coating.

Hungarian National Museum

Avar pendant

A wooden statue

A wooden statue

Bassus Avos Statue

Lower part of a statue that represents a gowned figure. An inscription on the base shows the name Bassus Avos and the degree of kinship with the other characters in the Curia of the Roman Forum of Roselle

VAST-LAB, Musei di Maremma

Beatrice

Biconical Ware

Biconical ware with engraved decorations.

VAST-LAB, Musei di Maremma

Biconical Ware with Metal Plates

Ceramic Urn decorated with metal plates. Place of origin: Vetulonia-Necropolis Colle Baroncio.

VAST-LAB, Musei di Maremma

Bifaces - Olduvai Gorge

Bifaces and bones found in 2011 at the LF level of the TK Site, at the Olduvai Gorge, Tanzania.

http://www.olduvaiproject.org/

The Olduvai Paleonthropology and Paleoecology Project (TOPPP)

Bizantine

BlueBlack on Red Jar

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated, ADS Collection: 1077/Collection doi:10.5284/1011330

Bronze Adze

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

ADS Collection: 1077/Collection doi:10.5284/1011330, Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated

Bronze Razor

Lunate bronze razor decorated with engraved hunting scene: a hunter armed with a bow shoots an arrow at a deer with antlers. On one side there are three animals without horns, maybe two females and fawn. The other side is engraved with a swastika. Place of origin: Vetulonia- Necropolis Colle Baroncio.

VAST-LAB, Musei di Maremma

Byzantin

Capital, St. Peter, Rome

Capsella Samagher - Photograph

The Capsella Samagher (Museo Archeologico Nazionale, Venice, Italy) is an important reliquary (height 18,5 cm, length 20,5 cm, width 16,01), which was discovered in Samagher (Pula, Croatia) in 1906 under the altar of the Church of St. Hermagoras. It is in carved ivory with corner reinforcements and silver accessories. Probably of Roman craftsmanship, it is of exceptional value for the history of early Christian art, the history of the Church and the history of the Roman Empire because of the refined decoration in relief on the lid and on all four sides. The image is a digital photograph produced by Alinari.

http://museoarcheologicovenezia.wordpress.com/

MANV and CNR-ISTI, National Archaeological Museum in Venice (MANV), Venice, Italy

Capsella Samagher - Rendering

The Capsella Samagher (Museo Archeologico Nazionale, Venice, Italy) is an important reliquary (height 18,5 cm, length 20,5 cm, width 16,01), which was discovered in Samagher (Pula, Croatia) in 1906 under the altar of the Church of St. Hermagoras. It is in carved ivory with corner reinforcements and silver accessories. Probably of Roman craftsmanship, it is of exceptional value for the history of early Christian art, the history of the Church and the history of the Roman Empire because of the refined decoration in relief on the lid and on all four sides. The digital 3D model of the Capsella was produced with active 3D scanning (structured light system) in the framework of a restoration project (2012-2013). The image is a rendering of the digital 3D model.

http://museoarcheologicovenezia.wordpress.com/

MANV and CNR-ISTI, National Archaeological Museum in Venice (MANV), Venice, Italy

castello fortificato di entella

Cinerary Urn

Terracotta urn house-shaped. It was used contain ashes of prestigious people . Place of origin: Vetulonia-Villanovan necropolis of Poggio alla Guardia.

VAST-LAB, Musei di Maremma

Cinerary Urn

Terracotta urn house-shaped. It was used contain ashes of prestigious people . Place of origin: Vetulonia-Villanovan necropolis of Poggio alla Guardia.

VAST-LAB, Musei di Maremma

Cinerary Urn

Terracotta urn house-shaped. It was used contain ashes of prestigious people . Place of origin: Vetulonia-Villanovan necropolis of Poggio alla Guardia.

VAST-LAB, Musei di Maremma

Cratere a colonnette attico a figure rosse

Da un lato del vaso è raffigurata una suonatrice di aulòs (flauto), seduta su Klismòs (sedia), mentre si esibisce alla presenza di un giovane, che impugna una custodia per flauti, e di un personaggio barbato che, appoggiandosi al bastone, protende un sacchetto. Nel campo, dittico, corona di foglie d'edera, lira. Dall'altro lato del vaso, invece, sono raffigurati tre giovani, con il mantello panneggiato sul corpo nudo, a colloquio; il personaggio a destra è rhabdophoros (giudice di gara).

David sarcofag

Dawson City

Decorated Kerbstone 15, Knowth

SMR No.: ME019-030001- Monument Type: Megalithic Art 1 of 124 surviving kerb stone located around the base of the cairn of the central megalithic passage tomb at Knowth, Brú na Bóinne. This kerbstone is also known as the "Calendar Stone" due to its sundial like design. Contains several megalithic art styles: Curvilinear styles: Circles, spirals, crescents and radial design with central spot Rectilinear styles: Lozenges and chevrons

Discovery Programme , The Discovery Programme 3D High Resolution Models

DEMETRA

statua

Domus de janas di Calancoi

Early Christian Carved Figure 1, White Island

One of eight stone early Christian figures located at White Island ecclesiastical settlement, County Fermanagh (Island of Ireland). Figure is cross-legged, probably female, with cape, grimacing face and puffy cheeks, perhaps symbolising temptation or the sin of lust. NISMR No.: FER 173:002

The Discovery Programme, Discovery Programme 3D High Resolution Models

Early Christian Carved Figure 2, White Island

NISMR No.: FER 173:002 Monument Type: Early Christian figures One of eight stone early Christian figures located at White Island ecclesiastical settlement. Figure is apparently sitting, the figure holds a rectangular object (book or shrine?); upper face damaged.

Early Christian Carved Figure 3, White Island

NISMR No.: FER 173:002 Monument Type: Early Christian figures One of eight stone early Christian figures located at White Island ecclesiastical settlement. Figure is standing and holding bell and crozier, symbols of abbot's or bishop's authority, perhaps an actual churchman, or Christ as 'Abbot of the World'.

The Discovery Programme, Discovery Programme 3D high Resolution Models

Early Christian Carved Figure 4, White Island

NISMR No.: FER 173:002 Monument Type: Early Christian figures One of eight stone early Christian figures located at White Island ecclesiastical settlement. Figure holding a a staff in one hand, the other hand points to the mouth and a pouch-like object hangs at the waist: probably symbolising David the shepherd and psalmist.

The Discovery Programme, Discovery Programme 3D high Resolution Models

Early Christian Carved Figure 5, White Island

NISMR No.: FER 173:002 Monument Type: Early Christian figures One of eight stone early Christian figures located at White Island ecclesiastical settlement. Figure has distinctive curly hair, and holds the necks of two part-bird, part-animal creatures; these may be gryphons, symbolizing the dual nature of Christ, part human, part divine. A panel of broad-ribbon interlace on the right hand side of this stone creates the impression of a decorated chair.

The Discovery Programme, Discovery Programme 3D high Resolution Models

Early Christian Carved Figure 6, White Island

NISMR No.: FER 173:002 Monument Type: Early Christian figures One of eight stone early Christian figures located at White Island ecclesiastical settlement. Figure is of a curly-headed warrior, wearing a penannular brooch and holding a small round shield over a short sword; interpretations include Christ militant and David the warrior.

http://www.3dicons.ie/3d-content/62-white-island-6

The Discovery Programme, Discovery Programme 3D high Resolution Models

Early Christian Carved Figure 7, White Island

NISMR No.: FER 173:002 Monument Type: Early Christian figures One of eight stone early Christian figures located at White Island ecclesiastical settlement. A roughly blocked-out but unfinished piece, interesting in suggesting that the figures were carved on site.

http://www.3dicons.ie/3d-content/63-white-island-7

The Discovery Programme, Discovery Programme 3D high Resolution Models

Early Christian Carved Figure 8, White Island

NISMR No.: FER 173:002 Monument Type: Early Christian figures One of eight stone early Christian figures located at White Island ecclesiastical settlement. A single frowning head, with pointed oval eyes and flat ribbed cap or fringe, possibly later in date than the others.

http://www.3dicons.ie/3d-content/64-white-island-8

The Discovery Programme, Discovery Programme 3D high Resolution Models

Early Medieval Earring, 8th-9th c. AD

Site: Kranj - Župna cerkev (Slovenia); Curated in Gorenjska Museum in Kranj (Inv. No. KFC0637); Year of Excavation: 1972; Dimensions: width 4,3 cm, height 4,6 cm, weight 4,8 g; date: 8th-9th c. AD. 3D model created from silhuets using Strata Foto 3D SE software.

ZRC SAZU, Gorenjska Museum in Kranj (Inv. No. KFC0637)

Egyptian Fish - Greg Wyatt

Egyptian Fish - Greg Wyatt

Embracing Figures

Embracing Figures AAP-AM-0325

Engraving

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated, ADS Collection: 1077/Collection doi:10.5284/1011330

First eagle statue

Flint Arrow

Neolithic Flint Arrow

Gaggo

Goblet

Bucchero cup on high foot decorated with heads and studs. The production of bucchero is a typical Etruscan shiny black pottery. It began as imitation of bronze with embossed decoration. The shops that produced bucchero among the last decades of the seventh and sixth BC were scattered throughout Etruria: Vulci, Tarquinia, Cerveteri, Chiusi, Orvieto, Roselle and Vetulonia.

VAST-LAB, Musei di Maremma

gold table

gold table from museum in urbino

http://www.manumarra.it/high-definition-image/

manumarra, museo nazionale urbino, volponi collection

goyle

Grave Marker

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

ADS Collection: 1077/Collection doi:10.5284/1011330, Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated

HD_LiDAR image of the Russy forest near Blois (Loir-et-Cher, France)

This image shows the picture derived from LiDAR data in the context of Solidar program. It consists of a DTM and an LRM with transparency. This image allows you to see lineaments corresponding to agrarian structures or structures related to forestry activities.

http://citeres.univ-tours.fr/spip.php?article2133

UMR 7324 CITERES-LAT, SOLiDAR

Historical graffiti Catacombs Syracuse

Historical graffiti Catacombs Syracuse

http://chsopensource.org/2015/03/16/how-to-document-historical-graffiti-in-catacombs/

CHSOS

Icona 3d

Il Palazzetto del Granduca

Il Palazzetto del Granduca Ferdinando I ubicato in via Santa Maria fa parte del terzo e ultimo Giardino dei Semplici, attuale Orto Botanico di Pisa. Il modello 3D è stato acquisito tramite fotogrammetria e algoritmo SFM, in seguito sia il portone originario situato nel Museo Botanico è stato rototraslato e collocato nell'assetto originario dell'edificio.

http //editor.wix.com/html/editor/web/renderer/edit/060a8cac-123f-429f-b5a2-68ab38debe07?metaSiteId=c43e517f-0c46-4f13-82d4-d5e72d125a35&editorSessi

valeria cartello

Islamic glass token

Vanja Macovaz (CC BY-NC-SA)

Jesus

Kerbstone 15, Knowth, Ireland

stone 15 knowth

The Discovery Programme, The Disovery Programme

Kilmainham Gaol Graffiti 1

Example of graffiti carved into the walls of Kilmainham Gaol, Dublin. Potentially linked to the civil war prisoners of 1916 with interpretations of the graffiti being a series of portraits of prominent members of the Easter Rising.

The Discovery Programme, The Discovery Programme RTI Collection

Kourotrophos

Krater

Krater with lid topped by small cup of high cylindrical foot with geometric decoration (circles connected by tangents, triangles, vertical rows of lozenges, birds). It was probably produced in Campania or in Etruria by Greek craftsmen coming from Eubea (730-710 BC). Place of origin: Pescia Romana.

VAST-LAB, Musei di Maremma

Large Offering Table

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

ADS Collection: 1077/Collection doi:10.5284/1011330, Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated

Leech Fibula

Leech fibula from the necropolis of the Osteria Vulci

VAST-LAB, Musei di Maremma

Leech Fibula

Leech fibula from the necropolis of the Osteria Vulci

VAST-LAB, Musei di Maremma

Lidar image of Iron Age hilforts

The "Ridge of the Hilforts" area depicted is situated in western Slovenia (central coordinate Lon: 14°14'19", lat 45°37'7"; also see http://gis.arso.gov.si/evode/profile.aspx?id=atlas_voda_Lidar@Arso&initialExtent=442261.61,52763.74,13.22917), High-Resolution digital elevation model (DEM) of the 84 km2 area has been derived from lidar data collected during the "Airborne laser scanning of Slovenia project" (http://www.gu.gov.si/fileadmin/gu.gov.si/pageuploads/novice/Teksti_novic/LIDAR_opis.pdf; data). DATA PROCESSING: Point cloud has been filtered with lasground software (settings: terrain type – forest or hills, granularity - ultra fine; ignore points with classification 7). 1 m has been DEM interpolated with ordinary kriging (settings: No. of sectors to search – 4, maximum No. of data from all sectors 64, maximum No. of data from each sector 16, maximum No. of data in all sectors – 8, blank node if more than 3 sectors are empty, radius 20 m). Complex multiple visualization merging RVT software derived visualizations sky-view factor and openes (settings for both: No. of search directions 16, radius 10 pixels, low level of noise removal) and WhiteboxGIS software derived deviation from mean elevation (settings: radius 7 cells). (Data source: http://gis.arso.gov.si/evode/profile.aspx?id=atlas_voda_Lidar@Arso&initialExtent=442261.61,52763.74,13.22917). Data processing and visualization by Edisa Lozić). ARCHAEOLOGY: 11 hilforts (ocupied most likely from the Late Bronze Age and through the entire Iron Age; the main settlements remained populated into the AD 4th c.), 2 cairn fields with close to 1000 cairns, more than 200 hectares of field boundaries and 4 linear boundary earthworks, two of which stretch for more than 4 km. ZRC SAZU and Edisa Lozić, ZRC SAZU digital archive

ZRC SAZU, ZRC SAZU

LiDAR image of the Russy forest near Blois (Loir-et-Cher, France)

This image shows the picture derived from LiDAR data in the context of Solidar program. It consists of a DTM and an LRM with transparency. This image allows you to see lineaments corresponding to agrarian structures or structures related to forestry activities.

http://citeres.univ-tours.fr/spip.php?article2133

UMR 7324 CITERES-LAT, SOLiDAR

Limestone Dancing Statuette

Limestone Dancing Statuette

Athienou Archaeological Project

Long Spindle Whorl

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

ADS Collection: 1077/Collection doi:10.5284/1011330, Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated

masker

Medallion (obverse) Rome, Empire, Hadrian, 191-121 AD

Roman medallions were generally larger in diameter than the coins of the same period. They were little used until the 1st century AD, after which their production markedly increased. Medallions made of gold or silver possessed a high intrinsic value and were greatly coveted; they served as gifts bestowed by emperors on important political occasions. The less prized medallions in bronze were produced in large numbers for distribution at celebrations, public games, or as largesse by the emperor, although their value was more symbolic than real. On this piece Hadrian appears wearing armour and a laurel wreath.

http:\\www.palazzoblu.it

Palazzo Blu - ISTI CNR, Simoneschi Collection - Palazzo Blu

Medallion (reverse) Rome, Empire, Hadrian, 191-121 AD

Roman medallions were generally larger in diameter than the coins of the same period. They were little used until the 1st century AD, after which their production markedly increased. Medallions made of gold or silver possessed a high intrinsic value and were greatly coveted; they served as gifts bestowed by emperors on important political occasions. The less prized medallions in bronze were produced in large numbers for distribution at celebrations, public games, or as largesse by the emperor, although their value was more symbolic than real. On the reverse is Felicitas, holding a cornucopia and a caduceus.

http:\\www.palazzoblu.it

Palazzo Blu - ISTI CNR, Simoneschi Collection - Palazzo Blu

Medieval Procession Cross

This Medieval (13th c.) Procession Cross was found at Perkáta-Nyúli dűlő. Raw material: copper sheet covered with gold.

Hungarian National Museum

moneta punica

moneta punica

moneta punica II

moneta punica II

Nomos (observe), Metapontium, Lucania, 540-510 BC

The face of this exemplar carries the image of an ear of wheat with 7 spikelets on either side and long stylized bristles. On the left is inscribed the word META, referring to the polis that issued the coin. The rim of the coin is decorated with a finely beaded border framed between two concentric circles.

http://www.palazzoblu.it/

ISTI-CNR, Palazzo Blu, Simoneschi Collection - Palazzo Blu

Nomos (reverse), Metapontium, Lucania, 540-510 BC

The reverse carries the image of a spike of wheat surrounded by a decorative border, struck however “in negative” to create a recessed design.

www.http://www.palazzoblu.it/

Palazzo Blu - ISTI CNR, Simoneschi Collection - Palazzo Blu

Offering Table

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated, ADS Collection: 1077/Collection doi:10.5284/1011330

Panagia Kanakaria

Pannello proveniente da una tomba a camera dell'Ottocento

È raffigurata una fascia a finte crustae marmoree che delimita il riquadro con la rappresentazione di una corazza, della quale resta solo la parte superiore

Pannello proveniente da una tomba a camera dell'Ottocento

In alto, è raffigurato un motivo a dentelli, iscrizione in lingua messapica (datihonas platorrihi bollihi). Nel riquadro, scudo rotondo disegnato a compasso con linea di contorno rossa, bordato da una corona di foglie di quercia con bacche di colore giallo e verde azzurro; lo scudo reca al centro un gorgoncion su sfondo rosso

Pannello proveniente da una tomba a camera scoperta nell'Ottocento

È raffigurato un personaggio che tiene per le briglie un cavallo

Pannello proveniente da una tomba a camera scoperta nell'Ottocento

È raffigurata una fascia a finte crustae marmoree e a destra punta di lancia. In basso, melagrana. Al centro, spada nel fodero con impugnatura a protome equina, sospesa con un nastro sfrangiato ad un chiodo dipinto.

Paris 2010

A model exported and converted from City Engine 2010.

http://tf3dm.com/3d-model/paris-33983.html

konstantin (http://tf3dm.com/user/konstantin)

Pictish Beast, Rhynie, Aberdeenshire

This is an RTI capture (PTM) comprising 48, 20-MP full-frame files

Michael Sharpe

Pisa, Terme di Nerone - Area 1

Pisa, Terme di Nerone - Area 1

Polittico San Fior centrale sx

©Michele Battistuzzi

Pottery Stand

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

ADS Collection: 1077/Collection doi:10.5284/1011330, Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated

Priest House, Glendalough, Ireland (point-cloud)

The Priests' House is situated within the main graveyard to the SW of the cathedral. A small rectangular building possibly of twelfth-century date, it has been subjected to considerable reconstruction. There is a Romanesque arched recess in the exterior of the E wall and a door in the S wall features a fragmentary tympanum with three figures holding a bell, a staff and a book. The function of this building is uncertain. It may have been a reliquary church. It became known as the 'Priest's House' as priests of the parish were buried there in the 18th century.

http://www.3dicons.ie/3d-content/sites/28-glen-priests-house

The Discovery Programme, 3D-ICONS

Prova

Rebel's Rest Glass bottle

A glass bottle from Rebel's Rest Archaeological Site

Rebel's Rest Lock

Red Bottle

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated, ADS Collection: 1077/Collection doi:10.5284/1011330

Roman sarcophagus of Phaedra and Hippolytus

Ancient Roman sarcophagus of the second century BC that represents the myth of Phaedra and Hippolytus and kept at the Camposanto Monumnetale in Pisa.

http:\\vcg.isti.cnr.it

ISTI - CNR, Opera Primaziale Pisana

RTI Carpaccio

IsCR

RTI Carpaccio 2

IsCR

RTI Carpaccio 3

RTI Carpaccio 4

IsCR

RTI Carpaccio 5

IsCR

RTI Carpaccio 6

IsCR

RTI Carpaccio 7

IsCR

RTI Carpaccio 8

RTI Carpaccio 9

IsCR

Santu Pedru

Sarcofagi 7 12

Sarcofagi San Pietro in Bevagna

Sarcofago

A test model.

Sarcofago 14

Sarmatian fibula

Site: Ófehértó - Almezői dűlő, M3 253 Name: fibula Period: 4-5 c. AD

Hungarian National Museum

Sculptured Face

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated, ADS Collection: 1077/Collection doi:10.5284/1011330

Scythian griffin stamp

This Scythian griffin stamp is a uniques find, it was found at Bátaszék-Körtvélyes archaeological site in Hungary. It was most probably used to decorate cloth. Others believe that it was a house ornament.

Hungarian National Museum

Sicilian cart chiave

A wooden sculpture from the Sicilian Carts Museum in Aci Sant'Antonio

http://chsopensource.org/

Cultural Heritage Science Open Source, Sicilian carts

Silver dihram

Silver roman imperatorial denarius

Silver roman imperatorial denarius from the Archaeological Museum of Amphipolis. Aeneas advancing to front, holding Palladium in the palm of his right hand and carrying his father Anchises on his left shoulder. Legend “CAESAR”. RTI visualization by Eleni Kotoula.

Eleni Kotoula, Archaeological Museum of Amphipolis

Small cave

A small cave reconstruction

Small Clay Mould

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

ADS Collection: 1077/Collection doi:10.5284/1011330, Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated

Small Pendant

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

ADS Collection: 1077/Collection doi:10.5284/1011330, Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated

SondageFN80Test

SondageFN80Test

Statua di Demetra in marmo bianco

Rinvenuta in due frammenti priva della testa. La divinità, abbigliata con la veste (chitone) e un ampio mantello (himation), avvolge con il braccio sinistro una lunga fiaccola, tipica delle cerimonie in onore di Demetra. Per il ricco modellato delle vesti è utilizzato il trapano solo sul lembo più basso del chitone. La resa accurata anche della parte posteriore indica che la statua era isibile a tutto tondo in uno spazio della casa, costruita nel II secolo a.C., dove era venerata forse in un'edicola. In seguito la scultura fu conservata, insieme ad altri frammenti di pregio, fino alla fine della vita della dimora, nella seconda metà del IV secolo d.C.

stele

stele 02

stele1

stele2

Sulegaarden

A 19th Century farm house from West Jutland, Denmark.

Tempio B

Area Sacra di Pyrgi

Tempio B

dddddddddddddddddd

Testa di un personaggio maschile

La scultura in pietra calcarea, rinvenuta ad Egnazia, può essere stata scolpita per perpetuare la memoria di un defunto di rango elevato, considerato che gli usi funerari del VII-VI secolo a.C. prevedevano l'incinerazione dei corpi con la dispersione delle ceneri e dunque la mancanza di una visibilità offerta dalla sepoltura.

Test underwater sculpture

Test underwater sculpture

The Market Cross, Glendalough (colour)

SMR No.: WI023-007001- Monument Type: Market Cross Now in the Visitor Centre, the ‘Market’ Cross was reassembled in the 19th century from fragments scattered on the site. It may have originally stood opposite the west doorway of the cathedral. It bears a full-length figure of Christ wearing a crown and dressed in a knee-length tunic. Beneath him is an ecclesiastic and two standing figures, possibly patrons. The cross form is unusual and may have been influenced by Ottonian metalwork. Drilled holes in its stone surface may have held precious jewels, stones or even relics. The artistic style would suggest that it dates to the mid twelfth century

http://www.3dicons.ie/3d-content/14-the-market-cross-glendalough

The Discovery Programme, Discovery Programme 3D high Resolution Models

The Market Cross, Glendalough (No Texture)

SMR No.: WI023-007001- Monument Type: Market Cross Now in the Visitor Centre, the ‘Market’ Cross was reassembled in the 19th century from fragments scattered on the site. It may have originally stood opposite the west doorway of the cathedral. It bears a full-length figure of Christ wearing a crown and dressed in a knee-length tunic. Beneath him is an ecclesiastic and two standing figures, possibly patrons. The cross form is unusual and may have been influenced by Ottonian metalwork. Drilled holes in its stone surface may have held precious jewels, stones or even relics. The artistic style would suggest that it dates to the mid twelfth century.

http://www.3dicons.ie/3d-content/14-the-market-cross-glendalough

The Discovery Programme, Discovery Programme 3D high Resolution Models

Tornagrain Thumb Scraper

RTI capture of a prehistoric, flint thumb scraper

Michael Sharpe

Torriani_1

Trozzella

Particolare forma di vaso in ceramica prodotta esclusivamente dalle popolazioni messapiche e divenuto il loro simbolo; veniva utilizzato per contenere l’acqua ed era legato al mondo femminile, in quanto alle donne era affidata la gestione dell’acqua.

Trozzella

Particolare forma di vaso in ceramica prodotta esclusivamente dalle popolazioni messapiche e divenuto il loro simbolo; veniva utilizzato per contenere l’acqua ed era legato al mondo femminile, in quanto alle donne era affidata la gestione dell’acqua.

Vaccaro's Church

http://goletoabbeyvirtualmuseum.altervista.org/

VASOFIGUREROSSE

VASONERO

Venus from SNK cast

This is a 3D scan of a plaster cast of the sculpture ‘Venus de Milo (Aphrodite of Milos)’ dated to circa 450 BCE. The scan is made from the cast (ref. KAS434/1) in The Royal Cast Collection at SMK – National Gallery of Denmark

Votive Bronze Statuette

Bronze statue of a priest or a bidder of unknown origin

VAST-LAB, Musei di Maremma

Wooden Artifact

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated, ADS Collection: 1077/Collection doi:10.5284/1011330

WoodenHead

The Virtual Amarna Project, Archaeology Data Service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

ADS Collection: 1077/Collection doi:10.5284/1011330, Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated

Wooden Head

The Virtual Amarna Project, Archaeology Data service

http://archaeologydataservice.ac.uk/archives/view/amarna_leap_2011/index.cfm

Data copyright © Egypt Exploration Society, Amarna Trust unless otherwise stated; , ADS Collection: 1077/Collection doi:10.5284/1011330